Taking a Poetry Manuscript to the Post Office
by Laura L. Snyder
It took a month to get this group of twenty-four
poems into a cohesive manuscript. Thirty
late night screamings, bouts of brain freeze,
juggling and futzing with commas and line
breaks, Do I want “the” or “a?” on poems
I had considered done. Dang, it’s the years of work
they represent. Now it is 8:15 PM. (My printer went on the fritz!)
Today is the deadline. I’m at the airport post office,
the only place to mail late, standing in line
next to an older woman who smells. A guy, two back,
asks the air, How do you spell Natalie?
A girl in Carhartt’s, a flagger with a sunburn, answers.
The others nod their heads or look out the window
not wanting to get involved. Sheeze,
I must have reread those contest guidelines
umpteen times to make sure I jumped the rings
of Saturn the right way and it’s come down to this—
waiting in line with refugees, retirees,
and e-Bay shippers pushing stacks of boxes. My envelope
is hand addressed with italic calligraphy in India ink.
Who cares but me? Inside is the SASE postcard
(for notification of receipt) with a #10 SASE envelope
(for notification of their decision) and my personal check
made out for the twenty dollar reading fee. I’ve got all those
head scratching, it’s all junk moments clamped
with a metallic blue bulldog clip. I hand it
to the postal clerk and ask her to weight it.
She slaps on a label for an additional forty-seven cents
(She doesn’t know what it cost me) and tosses it,
sailing its plain manila-self into a canvas mail bin.
a canvas mail bin.
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- | Laura L. Snyder
Laura L. Snyder scribbles in hard-bound journals through Seattle’s rainy winter. Find her writing in Switched on Gutenberg , Four and Twenty , Flutter Poetry Journal .